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New CIMCIM publication now available
- Subject: New CIMCIM publication now available
- From: Cary Karp <firstname.lastname@example.org>
- Date: Tue, 14 Mar 1995 12:37:48 +0100 (MET)
- Message-ID: <16B0AE61C18@nrm.se>
The following announcement is about a text which is too lengthy for
posting to a distribution list. The full text may be obtained by
sending a message to:
with the first line in the body of the message containing the command:
This text will also be available from the interactive MICAT-L and
CIMCIM archive sites.
* * *
Copies of Historic Musical Instruments.
CIMCIM Publications No. 3 
Papers read at the CIMCIM meeting, Antwerp, July 1993,
bringing together members' experiences with copies of
museum instruments and exploring the philosophical and
technical problems of copying.
Introduction: Jeannine Lambrechts-Douillez, Antwerp.
Reflections on the `Authenticity' of Musical Instruments:
Martin Elste, Berlin.
The `Exact Copy' as a Legitimate Goal:
John Koster, Vermillion.
Measure for Measurement:
Eszter Fontana, Budapest.
Radiographing Musical Instruments: a Useful Method in
Mia Awouters, Brussels.
The Provision of Plans:
Jeremy Montagu, Oxford.
Materials from Endangered Species in Musical Instruments:
Laurence Libin, New York.
The Clavicytherium (c 1480) and its `copy' in the Royal
College of Music Museum, London:
Elizabeth Wells, London.
Building Biblical Instruments:
Nina Benzoor, Haifa, Israel.
Details about obtaining the printed version of this document are
Arnold Myers <email@example.com>
Edinburgh University Collection of Historic Musical Instruments,
Reid Concert Hall, Bristo Square, EDINBURGH EH8 9AG, Scotland.